The Great Storeroom Show (online)

15 November – 21 December 2019 (online only)

This online exhibition includes work by various gallery artists as well as Dale Adcock, Scott Anderson, Gary Hume, Nico Krijno & Tal R.

It has been a very fun, successful, and exciting year for us and our artists; we’ve installed 8 shows, 4 art fairs, released 100 Sculptors of Tomorrow (Thames & Hudson), and even exhibited 7 ‘one-week’ solos during our first-ever ‘Summer Marathon’. However; as we near the end of the year, our lowly storeroom fills up, and as every gallery can attest, with every show there inevitably remains some stragglers – that is, paintings that did not find a home!

Ironically, for us at the gallery, some of our favorite pieces from the year are still available for acquisition! Thus, The Great Storeroom Show brings together works by our represented artists; works from the secondary market; works lurking in quietest corners of our storeroom; and various lost-gems from our 2019 exhibition programme. The works are being ‘shown’ together (digitally) for the first time, and through the magic of Photoshop, we even have installation imagery to share!

(Scott Anderson) French Exit (2015), oil, oil crayon on canvas, 102x81cm (framed)

(Dale Adcock) Tomb (2012), oil on linen, 260x199cm

(Gary Hume) Untitled (2008), mixed media on paper, 15x10cm

Nico Krijno, Composition With Reference Material (2019), Inkjet Print, 140x115cm

(Tal R), Den Dojet (2016), Oil Pastel on Painted Cardboard, 20x15cm

(Jonni Cheatwood) Excuse Me…Are You Kevin (2019), oil, oil stick, acrylic, charcoal, enamel, flashe, alkyd and inkjet print on sewn fabric and canvas, 122x182cm

Jonni Cheatwood, Listen, Sugarberry (2019), oil, oil stick, acrylic, charcoal, enamel, flashe, alkyd and inkjet print on sewn fabric and canvas, 127x107cm

(Kim Dorland) Guard (2018), Oil on Aluminium, 91×122 cm

(Kim Dorland) Squad (2018), Oil on Canvas, 76x61cm

(Emma Fineman) The Queen Has White Teeth (2019), Oil and Charcoal on Canvas, 213x178cm

(Emma Fineman) Liberty Lead by the Fool (2019), oil and charcoal on canvas, 182x152cm

(Robert Fry) Lost Men Study 8 (2018), Acrylic, Oil, Enamel and Collage on Canvas, 190x160cm

(Robert Fry) LOST MEN STUDY B (2018), etching on zinc plate, unique, 94x73cm (framed)

(Jan Sebastian Koch) Lament (2018), egg tempera on linen, 180x160cm

(Jan Sebastian Koch) Dawn Dreamer (2018), egg tempera on linen, 90x70cm

(Adam Lee) These Days Foretold (2015), oil and synthetic polymer paint on canvas, 186.5×251.5cm

(Adam Lee) This Earthen Tent (2017), Oil and Synthetic Polymer on Canvas, 190x145cm

(Kathryn MacNaughton) Woven (2019), acrylic on canvas, 152x152cm

Kathryn MacNaughton, Spring (2018), Acrylic on Canvas, 122x122cm

(Peter Matthews) Everwave (2018), Mixed Media on Canvas, 242x181cm

(Peter Matthews) Chaac (2018), Mixed Media on Canvas, 121x111cm

18th arr. (2018) Paper, oil stick, and acrylic paint on wooden panel, 91x121cm

(Milo Matthieu) Paola (2018), paper, oil stick and acrylic on panel,76x102cm

(Ludovik Nkoth), Inheritance (2019), acrylic and fabric on paper, 76x57cm

(Ludovik Nkoth) Bamileke Elephant Mask (2019), acrylic and fabric on paper, 61x46cm

(Leonardo Ulian)Labor Intra 1001 (2017), Copper Wire on Canvas, 120×80 cm

(Leonardo Ulian), Technological Mandela 103 (Threshold Screen), Electronic Components, Copper Wire Paper, Acrylic Paint, Wooden Frame, 84x84cm